Chris Ofili British, b. 1968
Overview
"The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion." -- CHRIS OFILI
Chris Ofili’s emergence in the early 1990s felt like a bold, defiant response to both Western art history and the limited representations of Black identity in contemporary culture. His paintings from that period are vibrant, dense, and unapologetically layered — visually and conceptually. Ofili is known for his vibrant, layered paintings that blend figuration, ornamentation, mythology, and contemporary culture. He first rose to prominence in the 1990s as part of the Young British Artists movement and won the Turner Prize in 1998, becoming the first Black artist to do so. Ofili's work is both deeply sensual and politically loaded — a celebration of beauty and cultural hybridity, with a sharp awareness of race, colonialism, and art history.
The artist’s works are represented in prominent institutional collections worldwide, including The British Museum, London; The Broad, Los Angeles; Carnegie Museum of Art, Pittsburgh; Centre national des arts plastiques, Puteaux, France; The Dakis Joannou Collection, Athens; Dallas Museum of Art; Fortress House Museum, Gibraltar; Glenstone Museum, Potomac, Maryland; Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami; The Metropolitan Museum of Art, New York; Museu Coleção Berardo, Lisbon; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; National Gallery of Canada, Ottawa; National Portrait Gallery, London; Pérez Art Museum Miami; Royal College of Art, London; Rubell Museum, Miami; Saastamoinen Foundation Art Collection, Helsinki; San Francisco Museum of Modern Art; The Studio Museum in Harlem, New York; Tate, United Kingdom; Victoria and Albert Museum, London; Walker Art Center, Minneapolis; and Zeitz Museum of Contemporary Art, Cape Town.
Works
